![]() inside voices softer than the outside voices). In extreme cases, dynamics can even be located above and below both staves! (e.g. ![]() ![]() There are times when separate dynamics for treble and bass clef staves are required, and in these cases, you will (most typically) show individual dynamics under the bass and treble staves independently. The following techniques can also be helpful when entering music in a dense score for an instrument with ledger lines. As with parts on one staff, keep dynamics on the same horizontal plane where possible. However, in keyboard music, a convention is to center the dynamics between the staves, as the dynamics most typically refer to both the left and right hand. Generally, dynamics should be placed as close as possible to the notes they refer to. Both Finale and Sibelius offer a mechanism to center dynamics between grand staves as a group, but in order to move as a group, they have to be attached consistently to the same staff. What’s the best way to center these dynamics?Ī: I’ve found that consistently attaching dynamics below the treble clef staff really helps with dynamics text / hairpin positioning on a braced (grand staff) instrument. I can’t find an option in to automate this. But it would be nice to have them in the middle, centered between the 2 staves. Because they are connected to the treble or bass clef stave, they tend to move towards that stave. Q: I can never get the placement of dynamics to align nicely to the middle of the grand staff in piano parts.
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